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September 21 - October 13, 2002 FLORIDA PREMIERE
An emotional dialogue between a fire captain who lost eight of his men on September 11th and
an editor who is helping him prepare the eulogies. Still running to great acclaim at a theatre five minutes
from ground zero.
"An admirable tribute to the men who died!"
-The New Yorker
"Not an ordinary night in the theatre... it has the impact of a chill salve on an open wound!"
-The New York Times
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November 9 - December 8, 2002 FLORIDA PREMIERE
How far would you go for love? A drama about contemporary relationships on a mid-western
college campus. Controversial, shocking, a success in London and New York in 2001.
"An original voice... the best new playwright to emerge in the past decade... a genius!"
-The New Yorker |
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January 4 - February 2, 2003
A highly entertaining account of fanatical fans on the trail of Mae West's legacy.
We see the living sex symbol in various stages of her colorful life.
"Smart, tough and tender-hearted comedy... beautifully written... hands down the best new American play
of the season!"
-The New York Times |
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March 1 - March 30, 2003 FLORIDA PREMIERE
A funny play that delves into the filming of a television commercial, exploring relationships
forged in a stressful environment.
"The best new play in quite a while!"
-New York Post |
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The Diary of Anne Frank
by Francis Goodrich and Albert Hackett
newly adapted by Wendy Kesselman
April 26 - June 1, 2003 FLORIDA PREMIERE
The moving and true story of a Jewish family's plight in Amsterdam during WWII. Extensively
revised to incorporate recently published new material from Anne Frank's original diaries.
"Devastating! Continues to speak powerfully...a richer, more complex portrait...Top-notch cast!"
- Christine Dolen, The Miami Herald
"Triumph! Cumulative effect of moments is simply shattering! A haunting tale!" - Bill Hirschman,
Sun-Sentinel
"A powerful new version that moves the audience to gasps, then tears!" - Associated
Press |
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August 2 - September 7, 2003
"A waitress and a short-order cook have sex, bicker, and perhaps muddle through to something more lasting during a night when the moonlight through her Hell's Kitchen window mingles with Debussy's The enchanted spell of intimacy! What may be the most incisive post-coital dialogue written for the stage. Looking into apartment building windows is presented as a spectator sport in Frankie and Johnny. And the play itself offers something of the same voyeuristic thrill." - Ben Brantley, New York Times |
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All plays subject to change. |
